/page/2

b-sama:

Stary Mwaba, Zambia’s most prolific painter

I’m sure I’m not the first person, unaware of Zambia’s small but impressive art scene and new emerging artists. Today, I came across Stary Mwaba’s paintings. 

According to a short bio I found on “Stary Mwaba is a self-taught artist. His first career was as an AIDS counselor, and the act of painting has helped to remove the sad memories of that time from his mind.

Click here to read on Lusaka’s Art Scene

(via childofwealth)

vivaillajams:

Check out my very recent Interview with The Body Narratives! Seriouslyyyyyyy an awesome space. I am now a huge fan ever since I heard of The body narratives! Thank you so much for featuring me on your awesome space. <3 <3 <3 

Hana you’re an awesome lady!

Spread the word + Reblog + Support. :D

thebodynarratives:

[Hana] When I first came across Jamilla Okubo's work, I felt an instant joy. Bright, colourful and bold with the use of African prints, her pieces offer both a celebration and a reclamation of black bodies. Today Jamilla tells us more about what inspires her and the stories she wants to tell through her prints and illustrations. 

1.Tell us a little about your work?

I really enjoy working with an array of mediums such as painting, digital/hand-painted prints, garments, and collaging. Color is definitely a key element in my work as well as prints. My work mainly focuses on subjects of the Diaspora because I just love the beauty within our culture and people. I just feel as though it is my duty to remind people of color that we have such a rich culture, and that we should love ourselves and one another. So I strive for my work to have a balance of conceptuality and beauty. These are two quotes that I live by when it comes to creating artwork:

"The role of the artist is exactly the same as the role of the lover. If i love you, I have to make you conscious of the things you don’t see."- James Baldwin

"The black artist is dangerous. Black art controls the “Negro’s” reality, negates negative influences, and creates positive images.”- Sonia Sanchez

2. What inspires you and what is your process?

I am heavily inspired by my background culture and experiences in life. My work is heavily fired by my emotions as well. Whether I am passionate or really angry about something, I use those feelings as an advantage to create from the heart and express myself. I am also inspired by other cultures. Being able to interact with people from all over the world and experience other cultures is a blessing.

Depending on the project that I am working on, I may gather inspiration photos from the internet or books, and create a moodboard (it’s a habit that I got from school, specifically fashion). Majority of the time I will randomly get inspired, whether it is from a movie or an incident that I saw on the news, I immediately start creating. I have a very odd way of working because, a lot of people always tell me “you work so much”, “you’re always creating something”, or “how do you have so much time to create?” Honestly I don’t!. When an idea sparks I immediately stop whatever I am doing and create what I envisioned at that moment.

3. Textile prints seem to play a key part in your prints and illustrations. What does this mean to you and is it telling of your own journey?

While attending Duke Ellington School of the Arts I was to create a 15-painting themed series for my senior year. As I found myself searching for inspiration I came across Africa Fashion Week NY for the first time. The textiles, beautiful african models, and vibrant expression of a culture I had been long disconnected from - struck a chord in me. From this I began my wandering - an earnest exploration of my history and ancestors. Blessed by a teacher by the name of Stanley Squirewell, seeing the fire in me as a young person, introduced me to a host of artists that continue to inspire me today: Mickalene Thomas, Kara Walker, Wangenchi Mutu, Hank Willis Thomas, etc. I played with how to take these narratives of blackness and interpret them through my work, my craft.

4. As a designer, what does the body mean to you?

As a designer, the body is an external way to express oneself. Also, being able to interpret and express your inner self through clothing and accessories is a wonderful thing. It gives all people the opportunity to treat their body as a canvas and not have to worry about others perceptions or opinions. The body provides a landscape on which my aesthetic inevitable conclusions come to life.

5. What can we look out for in 2014?

Well hopefully if all goes as planned, I am working on having my second solo art show in June. But as of now I am focusing on school, so you will of course see what I am working on throughout the semester. I always find a way to link my school projects with my own work. I cannot speak of all that I am planning on doing because I don’t want to jinx myself. Just know that I am always working on something!

Aspiring Textile designer, Jamilla Okubo, is an African-American/Kenyan native from Washington, D.C. She is currently studying Integrated Fashion Design at Parsons the New School for Design. Jamilla’s prints invoke a life and sophistication in them. Constantly utilizing the vibrancies of African textiles to her advantage with color ways that would put a smile to both the viewer and wearer. Where her work gains depth lays in the subject matter of the prints. The prints, fun as they may be, acknowledge a deeper struggle which is rooted in black culture. She acknowledges the history, but similar to an upbeat song about heartbreak decides to shine a different light on the situation by claiming the story back for herself.

Follow her on: 
Blog: www.vivaillajams.tumblr.com 
Portfolio Site: www.jamillaokubo.com 
Shop: www.society6.com/jamillaokubo

(via poc-creators)

eselkunst:

Manchester
3.75” x 5.5”. gouache on wood.
Made as a gift for a friend who likes birds and great danes :)

eselkunst:

Manchester

3.75” x 5.5”. gouache on wood.

Made as a gift for a friend who likes birds and great danes :)

(via sprained-mind)

i-love-art:

Portrait d’Yvette, 1942-43
Francis Picabia (1879-1953)

i-love-art:

Portrait d’Yvette, 1942-43

Francis Picabia (1879-1953)

(Source: tiagoloureiroscrapbook)

b-sama:

Stary Mwaba, Zambia’s most prolific painter

I’m sure I’m not the first person, unaware of Zambia’s small but impressive art scene and new emerging artists. Today, I came across Stary Mwaba’s paintings. 

According to a short bio I found on “Stary Mwaba is a self-taught artist. His first career was as an AIDS counselor, and the act of painting has helped to remove the sad memories of that time from his mind.

Click here to read on Lusaka’s Art Scene

(via childofwealth)

afro-art-chick:

Self portrait 2014 Robert Trujillo #afro

afro-art-chick:

Self portrait 2014 Robert Trujillo #afro

vivaillajams:

Check out my very recent Interview with The Body Narratives! Seriouslyyyyyyy an awesome space. I am now a huge fan ever since I heard of The body narratives! Thank you so much for featuring me on your awesome space. <3 <3 <3 

Hana you’re an awesome lady!

Spread the word + Reblog + Support. :D

thebodynarratives:

[Hana] When I first came across Jamilla Okubo's work, I felt an instant joy. Bright, colourful and bold with the use of African prints, her pieces offer both a celebration and a reclamation of black bodies. Today Jamilla tells us more about what inspires her and the stories she wants to tell through her prints and illustrations. 

1.Tell us a little about your work?

I really enjoy working with an array of mediums such as painting, digital/hand-painted prints, garments, and collaging. Color is definitely a key element in my work as well as prints. My work mainly focuses on subjects of the Diaspora because I just love the beauty within our culture and people. I just feel as though it is my duty to remind people of color that we have such a rich culture, and that we should love ourselves and one another. So I strive for my work to have a balance of conceptuality and beauty. These are two quotes that I live by when it comes to creating artwork:

"The role of the artist is exactly the same as the role of the lover. If i love you, I have to make you conscious of the things you don’t see."- James Baldwin

"The black artist is dangerous. Black art controls the “Negro’s” reality, negates negative influences, and creates positive images.”- Sonia Sanchez

2. What inspires you and what is your process?

I am heavily inspired by my background culture and experiences in life. My work is heavily fired by my emotions as well. Whether I am passionate or really angry about something, I use those feelings as an advantage to create from the heart and express myself. I am also inspired by other cultures. Being able to interact with people from all over the world and experience other cultures is a blessing.

Depending on the project that I am working on, I may gather inspiration photos from the internet or books, and create a moodboard (it’s a habit that I got from school, specifically fashion). Majority of the time I will randomly get inspired, whether it is from a movie or an incident that I saw on the news, I immediately start creating. I have a very odd way of working because, a lot of people always tell me “you work so much”, “you’re always creating something”, or “how do you have so much time to create?” Honestly I don’t!. When an idea sparks I immediately stop whatever I am doing and create what I envisioned at that moment.

3. Textile prints seem to play a key part in your prints and illustrations. What does this mean to you and is it telling of your own journey?

While attending Duke Ellington School of the Arts I was to create a 15-painting themed series for my senior year. As I found myself searching for inspiration I came across Africa Fashion Week NY for the first time. The textiles, beautiful african models, and vibrant expression of a culture I had been long disconnected from - struck a chord in me. From this I began my wandering - an earnest exploration of my history and ancestors. Blessed by a teacher by the name of Stanley Squirewell, seeing the fire in me as a young person, introduced me to a host of artists that continue to inspire me today: Mickalene Thomas, Kara Walker, Wangenchi Mutu, Hank Willis Thomas, etc. I played with how to take these narratives of blackness and interpret them through my work, my craft.

4. As a designer, what does the body mean to you?

As a designer, the body is an external way to express oneself. Also, being able to interpret and express your inner self through clothing and accessories is a wonderful thing. It gives all people the opportunity to treat their body as a canvas and not have to worry about others perceptions or opinions. The body provides a landscape on which my aesthetic inevitable conclusions come to life.

5. What can we look out for in 2014?

Well hopefully if all goes as planned, I am working on having my second solo art show in June. But as of now I am focusing on school, so you will of course see what I am working on throughout the semester. I always find a way to link my school projects with my own work. I cannot speak of all that I am planning on doing because I don’t want to jinx myself. Just know that I am always working on something!

Aspiring Textile designer, Jamilla Okubo, is an African-American/Kenyan native from Washington, D.C. She is currently studying Integrated Fashion Design at Parsons the New School for Design. Jamilla’s prints invoke a life and sophistication in them. Constantly utilizing the vibrancies of African textiles to her advantage with color ways that would put a smile to both the viewer and wearer. Where her work gains depth lays in the subject matter of the prints. The prints, fun as they may be, acknowledge a deeper struggle which is rooted in black culture. She acknowledges the history, but similar to an upbeat song about heartbreak decides to shine a different light on the situation by claiming the story back for herself.

Follow her on: 
Blog: www.vivaillajams.tumblr.com 
Portfolio Site: www.jamillaokubo.com 
Shop: www.society6.com/jamillaokubo

(via poc-creators)

eselkunst:

Manchester
3.75” x 5.5”. gouache on wood.
Made as a gift for a friend who likes birds and great danes :)

eselkunst:

Manchester

3.75” x 5.5”. gouache on wood.

Made as a gift for a friend who likes birds and great danes :)

(via sprained-mind)

i-love-art:

Portrait d’Yvette, 1942-43
Francis Picabia (1879-1953)

i-love-art:

Portrait d’Yvette, 1942-43

Francis Picabia (1879-1953)

(Source: tiagoloureiroscrapbook)

About:

A Collection of Images and ArtWork that Inspires me.

Following: